Thursday, June 26, 2014

Fangoria Article covers MINIONS, BERENICE, MASTERMIND and PAINKILLER

Thank you Mike Gingold at Fangoria for the thorough and comprehensive article about my upcoming film work!

"New York genre filmmaker Jeremiah Kipp is having a busy year: In addition to contributing to the omnibus fright film CREEPERS, he has more short-form horror on the way, including one featuring genre icon Chris Sarandon (pictured). Read on for the details, some exclusive pics and the trailer for one of ’em."

Read all about it here: 
http://www.fangoria.com/new/new-photoscommentstrailer-horror-anthology-creepers-the-minions-painkiller-and-more/




Wednesday, June 25, 2014

New Teaser Trailer for THE MINIONS

Check out the 60-second teaser trailer for our eerie new short film THE MINIONS, about a man who walks along the witch's path and his strange encounter along the way...

View here: http://vimeo.com/98710297


Saturday, June 14, 2014

Behind the Scenes Shots

Behind the scenes of new short BERENICE for Mike T. Lyddon's horror anthology CREEPERS.  An adaptation of the Edgar Allan Poe classic.





Cast includes Thomas Mendolia (BAGGAGE, PAINKILLER), Cheryl Koski, Susan Adriensen (THE BLOOD SHED, LEWIS) and Bob Socci (IN FEAR OF, FATE).  Shot by Kenneth Kotowski (EDWARD ALBEE: A TRANSFORMATIVE MOMENT).

Thursday, June 12, 2014

Mastermind Stills

Aaron David Gleason, Joanna Gleason and Stacey Bone-Gleason in the MASTERMIND music video





Wednesday, June 11, 2014

Wrapped Principal Photography on MASTERMIND and SOUND/VISION

We just wrapped principal photography on MASTERMIND, a music video with an amazing cast. Pictured below is the extraordinary Joanna Gleason.  Shot by Kenneth Kotowski (my DP on EDWARD ALBEE: A TRANSFORMATIVE MOMENT and ALEX).


We also completed principal on a short indie drama called SOUND/VISION written, produced by and starring Ari Rossen, shot by Eric Giovon.  A tale of friendship and music, and a refreshing change of pace from the dark, scary, surreal and unnerving work I usually do.  This was closer in tone to movies like THE KING'S SPEECH; and it was a privilege to work with Eric again.