Humbled by comparisons to Nicolas Roeg and the great Chris Marker

"This darkly poetic short has managed to capture the spirit of Nicholas Roeg and distil it down to 24 frames per second. Kipp’s use of lighting flares, shadow and comparable framing within the editing process flirts outrageously with the idea of past and present, of cause and effect ...There’s a richness to the film’s colour palette that must seriously defy budget...reminiscent of Chris Marker at his very best." 

- from Knifed in Venice review of CRESTFALLEN

http://www.knifedinvenice.com/2013/09/jeremiah-kipp-first-look.html?m=1